Larry and Mindy’s Quiz – August 2024

Here are the correct answers:

 

1. c. Houses of the Holy - 1973

2. b. Animals - 1977

3. a. Tommy - 1969

4. d. Smiley Smile - 1967

5. d. Out of the Blue - 1977

6. a. Sticky Fingers - 1971

7. a. There’s a Riot Goin’ On - 1971

8. b. Hunky Dory - 1971

9. a. Weasels Ripped My Flesh - 1970

10. c. Tales from Topographic Oceans - 1972

11. b. McCartney - 1970

12. a. Beggars Banquet - 1968 (See note below!)

13. d. Their Satanic Majesties Request - 1967

14. c. Let It Bleed - 1969

15. b. Elephant Mountain - 1969

16. a. Song to a Seagull - 1968

(Yes, this is an easy one - we left the name of the album visible in the image!)

17. c. Meddle - 1971

18. b. Wave - 1967

19. d. Park Avenue Sound - 1978

20. c. Pandemonium Shadow Show - 1967

21. b. Peter Gabriel 1 – 1977

Note:

 

12. a. Beggars Banquet - 1968

This was a bit of a trick question, because this is not the FINAL album cover that was used! Here is the final one:

But it was intended to be the cover. According to a Rolling Stone Magazine item on September 28, 1968:

 

ROLLING STONES BATTLE OVER ‘BEGGAR’S BANQUET’ ALBUM ARTWORK

Record company clashes with the band over bathroom-related cover art.


The Rolling Stones
 are in a head-on battle with their American (and possibly their English) record company over the artwork for the cover of their next album, Beggar’s Banquet. The front and back cover of the double-fold album is a photograph of a bathroom wall. On it, the Stones, particularly Mick, have scrawled a variety of fantastically funny things, including the album title, the name of the group (underneath the name of the group it says “God Rolls His Own), credits, appropriate line drawings, slogans like “Wot, No Paper?” and “Music From Big Brown.” That’s the least of it. It is a fantastic thing, altogether, very Rolling Stones-ish and a beautiful record jacket. The photo was done by Barry Feinstein, the graphics by Tom Wilkes.

At this point, Mick is adamant that it will be the cover with no changes. But negotiations between the Stones' lawyer Allen Klien and London Records are still in progress and may soon end the month-long delay in the album’s release date.